Sevdiğim Sensin brings together people shaped by very different lives — some by tradition and control, others by choice and conscience. As their paths cross, personal decisions begin to carry consequences that go far beyond them.
ERKAN ALDUR (Aytaç Şaşmaz)
A young man who turned away from the power his family offered and chose to live by his own sense of responsibility. Torn between his family on one side and Dicle on the other, Erkan’s real struggle lies in the space between his father’s expectations and the life he is trying to build for himself.
DICLE DEMIR (Helin Kandemir)
A young woman who has lived through hardship but never closed off her heart. With love, courage, and a strong desire to learn, Dicle begins to build her life from the ground up, changing not only her own fate but also the lives of those around her.
ESAT ALDUR (Hüseyin Avni Danyal)
The head of the Aldur family, a man who built his life on authority, reputation, and control. He keeps his emotions in check and bends his conscience when needed. Once forced into a path he did not choose, Esat now tries to impose a similar fate on his son — without realizing what he is truly up against.
İNCİ ALDUR (Esra Ronabar)
The one who maintains the outward perfection of the Aldur family. For İnci, keeping problems hidden has become a way of life. Behind that controlled image stands a woman worn down by years spent protecting the family’s reputation and putting others first.
TAHİR ALDUR (Cihat Süvarioğlu)
The middle child of the Aldur family. Tahir masks the absence of his father’s love with anger and a need for control. When he was passed over as a worthy heir, something shifted in him — disappointment turned into resentment, and insecurity into a show of strength.
NİLÜFER ALDUR (Deniz Işın)
The eldest child of the Aldur family. She appears composed, intelligent, and distant — a woman who seems to have everything. Yet behind that image is someone who has never truly been allowed to exist on her own terms. The part of her she kept silent for years is slowly beginning to surface.
FATOŞ PARSOĞLU (Özlem Conker)
A love story that never reached its end and a score carried for years. Fatoş chooses quiet ways of settling the past. Her only real wish is for her daughter to avoid repeating the same life.
KADİR ÇATALCA (Umutcan Ütebay)
Erkan’s fellow soldier. After finishing his service, he comes to Istanbul and stays with a friend. For Kadir, this new chapter is not a fresh start but another test — one where he tries to hold on to his values in a world shaped by wealth and influence.
BURÇİN PARSOĞLU (Elçin Zehra İrem)
One of those who mistake obsession for love. Burçin grew up between her mother’s quiet control and her father’s unconditional affection, leaving her unsure of herself. A decision she makes to avoid losing Erkan ends up pushing him away instead.
HAVVA VARDAR (Nihan Büyükağaç)
She has worked as a housekeeper in the Aldur mansion since her youth. After losing her husband years ago, she devoted her life to her son Mehmet and to this household. Over time, her care and presence made her more than just an employee.
CİVAN DEMIR (Barış Baktaş)
Dicle’s brother. For most of his life, he has lived under the shadow of his older brother Ferman, following his decisions rather than making his own. Unlike him, Civan has not completely lost his sense of right and wrong. Seeing what happens to Dicle forces him to question everything.
FERMAN DEMIR (Emrah Aytemur)
The eldest brother of Dicle and Civan. After their father’s death, he became the head of the family. Raised in a world defined by tradition, power, and male authority, Ferman is a harsh and ruthless man.
HAMDİ PARSOĞLU (Gökhan Soylu)
An honest, devoted family man. His weakness lies in believing that things are exactly as they appear — even when they are not.
FİKRET DOĞANAY (Murat Seven)
His resentment toward the Aldur family and others like them did not come out of nowhere. He has wealth and influence, yet still remains an outsider in certain circles. If money isn’t enough to gain a place at the table, then the rules themselves must be the problem — and Fikret intends to change them.
